Showing posts with label Julia Klatt Singer. Show all posts
Showing posts with label Julia Klatt Singer. Show all posts

Wednesday, June 6, 2012

When There Is Crying in Baseball

There is a difference between crying over spilt milk and grief.  Or maybe not.  There are some things about which we should cry and others, not so much.

Having baseball tickets stolen might seem like the loss of a material thing or the chance to hang out in the elite company of those spectating the gladiators.  It would be sacrilege to say that it is on par with being told that you cannot come into the church for worship.  But what unholy transgression was it?

My son Sid and I had planned a trip to see the Minnesota Twins play the Detroit Tigers. It was to be our first outing of the year to the home field. It was a trip to do what fathers do with their sons, some of my mother friends do with their children, a gift that some of these mothers and fathers are passing along to their sons and daughters and a place where so many stories of the love between them have been told, written and lived.

It also was a spot, in that gray-skied Saturday afternoon where many of our friends waited in seats adjacent to the ones we had for the game. They were there for the same loves that get entangled in watching and playing that game and for the love of our friend Mel, who knows all of those loves and people well.

But Sid and I did not make it to the game. In the moments before we boarded the train to the ball park, the tickets went missing.

I reached to my back pocket to feel the void where the envelope holding the tickets should have been. The pocket felt as empty as the gap left by a missing tooth and as crazy as a lost child: the lost slice of childhood that I planed to share with Sid that day.

At first, I told myself that I must have let them slip from my pocket. We ran from the train platform, tracing our steps back to the car, the Mexican fast food restaurant where we ate—a place much cheaper than the extra meal we might eat from the ball park concession stands. I looked hard, back and forth, in the car, on the ground, in the restaurant, in the eyes of passers by: something that would tell me it was okay, place them in my hand and make everything okay.

As I looked, though, the image of a man on the train platform kept appearing in my mind, a man who lingered too close as we swiped the pay strip on the fare box, the image of the man who, I am quite sure, lifted the tickets from my pocket moments before we would be on our way.

After those moments of the frantic, Sid and I got home and were quiet in the living room.  I tried my best to hide my sadness, but not so much as to fake something happy, fake a substitute that would not have even worked when he was younger. 

He did look sad on the sofa.  I asked him how he was doing, and he said he was pretty sad.  "And this one was for Mel's birthday, too--wasn't it?"  I told him yes, the man who took his not-quite-two-year-old self to the second baseball game he could even notice.  He cried a little.  I tried not to show much of my sadness, tears, frustration or anger; and how do you show grief over something like this?

We are sorry to have missed the chance to share baseball with each other, with you and everyone else who was there for the happiness of baseball.  While the money it cost us to participate in that day is significant in these days, but even at the greatest cost, it doesn't describe that what was missed was more than just a fun event, recreation or a chance to get out.  I don't know how many people will understand or how to describe the loss--even to a lot of people who know baseball. 

I think I can only have other people describe it.  They know, somehow, maybe from watching the two of us, seeing the game not through our eyes but through our sharing with each other and with anyone willing to get close enough.  Those who love us like seeing us together--seeing us in ways that are accentuated by baseball.

I am not sure which parts of what was defiled and violated are sacred.  I know that it is more than a violation of our personal space.  More than my friendships.  More than spoiling a game.  I just know that I feared such a catastrophe as much as I feared missing an important flight to an important event: like I had missed a relative's wedding. 

It is not a wedding.  It is just a game.  Just a birthday.  Just a day out.  Just another day filled with hazards.  But it is that day that remembers the first time I walked into the Bowie Bay Sox stadium with Sid in my arms, then settling in our seats, his eyes fixated on the animated diamond with more attentiveness and fascination that I thought was possible for a pre-toddler and my eyes welling with more tears than are allowed in baseball.  

I would not experience the kind of emotion I felt at the ball park until the first day we sat together, the two of us in church.  These are things that can define what fathers can do with their sons, friends with their friends, love with love and joy with joy.  (See “Crying at the Cathedrals.”)


For a moment, that is what was taken from us.  For a moment.  We will recapture it another day.

Tuesday, April 19, 2011

Thank You, Friend, by L'Etoile du Nord and Scandia 1st and 2nd Graders

I am currently involved in a residency working with 1st and 2nd graders at L’Etoile du Nord French Immersion school in St. Paul and Scandia Elementary. They have enthusiastic minds and show it in their writing. This project is one sponsored by the East Metro Integration District (EMID). EMID creates classroom partnerships between schools in St. Paul and east suburban and exurban districts “to address the educational issues resulting from dramatic demographic changes and inequities among school age children.” This office has been doing important work during its history, work that is currently the target of legislative cuts.  Hopefully, this valuable tool will continue into the future.


What I share below is a poem generated by the work of these kids, facilitated by poet Julia Klatt Singer.

We all have an imagination

I imagine I have a sweet older sister

I imagine she is like a bird in my ear

She is my best friend

My friend is nice, she is happy



We all need friends

We all need air, sun to run and to love

The air is clear, we cannot see it

It blows, blows the trees, it blows



We all have the sun

It makes light for people

It looks like the pizza of light



In the sun and the air

I run with my friends

My legs are great, they are good

I love my legs because they are cool

We run like it is fun

As the air chases what it wants to be

In the shadow of the meadow



Thank you, sun

Thank you, air

Thank you, friend

Friday, April 15, 2011

What the Girl Says about Poetry is True

It is National Poetry Month, and I have begun work with 1st and 2nd graders at schools in Scandia, Minnesota and St. Paul. Or I should say that I get to follow these young students on their poetry exploration.

Poet Julia Klatt Singer (http://oeuvremagazine.org/words/poetry/julia-klatt-singer/?3991b560) led the children in a discussion about what poetry is. Even as a “responsible adult” in this residency, I am still unsure of how I would add to this discussion. I am at least humbled relative to what my input could be compared to the thoughts these kids from St. Paul's French immersion school, L'Etoile du Nord, and Scandia Elementary.

This is a chance for kids to learn from esteemed artists like Julia. It is a chance for the kids from St. Paul and Scandia to learn from each other. It is a chance for me and my colleagues to learn from these kids.

I am trying hard to not come to a clear and definite definition of poetry, but, as one 1st grader from L'Etoile du Nord put in—in a usage of English that is definitely influenced by the language constructions of French convention, “(Poems) can create you to have different emotions.”

She is right. They are also good if they are easy to dance to, but she has it right.